British Art Studies is an innovative space for new peer-reviewed scholarship on all aspects of British art.

Issue 3 – July 2016

British Sculpture Abroad, 1945 – 2000 Edited by Penelope Curtis and Martina Droth

Henry Moore, Reclining Figure (dithered detail), 1956, bronze, (LH402) at the Akademie der Künste, Berlin, 1971. Digital image courtesy of Reinhard Friedrich.

INTRODUCTION

British Sculpture Abroad: An Introduction

By Martina Droth Penelope Curtis

ARTICLE

The Promotion and Reception of British Sculpture Abroad, 1948–1960: Herbert Read, Henry Moore, Barbara Hepworth, and the “Young British Sculptors”

By Henry Meyric Hughes

ARTICLE

Henry Moore’s Exhibition in Yugoslavia, 1955

By Želimir Koščević

ARTICLE

Barbara Hepworth in Brazil

By Ana Gonçalves Magalhães

ARTICLE

British Sculpture Exhibited at the Venice Biennale after the Second World War, and its Impact on the Work of Italian Sculptors

By Emanuela Pezzetta

ARTICLE

1984 and Beyond (2005–07)

By Gerard Byrne

ARTICLE

Introduction to British Sculpture Abroad in the 1960s

By Jon Wood

ARTICLE

British Constructivist Art

By Sam Gathercole

ARTICLE

“Induced Tension”: A Forgotten Chapter in the History of British Sculpture in the USA

By Arie Hartog

ARTICLE

Hybrid Sculpture of the 1960s

By John J. Curley

ARTICLE

Sight Unseen: Anthony Caro’s Prairie, 1967

By Sarah Stanners

ARTICLE

The Geography of Making or On Finding Moore Everywhere

By Simon Starling

ARTICLE

1970s: Out of Sculpture

By Elena Crippa

ARTICLE

Mark Boyle and Joan Hills at the Gemeentemuseum, The Hague

By Chris Townsend

ARTICLE

The British Avant Garde: A Joint Venture Between the New York Cultural Center and Studio International Magazine

By Jo Melvin

ARTICLE

Arte Inglese Oggi, Milan, 1976: Between Formalism and Conceptual Art

By Elena Crippa

ARTICLE

Un Certain Art Anglais, 1979

By Lucy Reynolds

ARTICLE

Henry Moore’s Public Sculpture in the US: The Collaborations with I. M. Pei

By Alex Potts

ARTICLE

Renewing the New: British Sculpture in the 1980s

By Greg Hilty

ARTICLE

The British Show in Australia, 1985

By Anthony Bond

ARTICLE

A Quiet Revolution: British Sculpture Since 1965

By Mary Jane Jacob

ARTICLE

full’n’empty – subjectobject – uhmm, Richard Deacon, Haus Lange and Haus Esters, Krefeld 1991

By Julian Heynen

ARTICLE

Expanding the Field: How the “New Sculpture” put British Art on the Map in the 1980s

By Nick Baker

ARTICLE

Britishness, Identity, and the Three-Dimensional: British Sculpture Abroad in the 1990s

By Courtney J. Martin

ARTICLE

Sensational Cities

By John J. Curley

ARTICLE

Brilliant! New Art from London, Walker Art Center, 1995–96

By Richard Flood

ARTICLE

Real/Life: New British Art* and the Reception of Contemporary British Art in Japan

By Kajiya Kenji

ARTICLE

With the Void, Full Powers: Anish Kapoor and the Venice Biennale of 1990

By Rakhee Balaram

ARTICLE

Disorienting the Art World: Mona Hatoum in Istanbul

By Jo Applin